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Rap's Future

  • Aug. 27th, 2006 at 3:52 PM
babama
Murder Zero's first hit is my new anthem.
    I'm gonna get in prison,
    I'm gonna hurt the cops,
    I'm gonna get drunk,
    And I'm gonna steal money.
    I don't give a care!
    Got that?
    PEACE OUT!
He's got a love song, too.

(c/o [info]gomezticator.)

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Francis Farmer

  • Apr. 20th, 2006 at 8:14 PM
babama
That Ms. Farmer was a brilliant actress of the 1930's and 1940's is unquestionable.

FEET
by Frances Farmer

My feet go running.
I think they sing
A song to themselves,

A crazy thing of
"Run, run, run,
And keep to the track.
But don't look forward
And never look back!"

I ask my feet
"How do you know
That the way you are taking
Is the best to go?"

But a foot can't answer.
Each in it's shoe
Goes running onward.
I go too.




She was sent to hospitals on as little as a whim. Suffering lobotomies, insulin shock treatments, rape and other abuses, she finally "gave up" with the following statement: "Psychiatry has systematically destroyed the only thing I have ever been able to hold onto in life....my faith in my artistic creativity"

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Poem Overview

  • Apr. 8th, 2006 at 11:40 AM
babama
A short but comprehensive summary of subjects for lyric poetry:
  1. I went out into the woods today and it made me feel, you know, sort of religious.
  2. We’re not getting any younger.
  3. It sure is cold and lonely (a) without you, honey, or (b) with you, honey.
  4. Sadness seems but the other side of the coin of happiness, and vice versa, and in any case the coin is too soon spent and on what? we know not what.
- William Matthews, "Dull Subjects"

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Pete Seeger

  • Jul. 2nd, 2005 at 1:44 PM
babama

 don't say it can't be done
  the battle's just begun
   take it from doctor king
     you, too, can learn to sing
      so drop the gun!


Level of fame: FamousPete Seeger co-wrote "We Shall Overcome," based on an old negro spiritual.

He also wrote or co-wrote "Where Have All the Flowers Gone," "If I Had a Hammer," and The Byrds' "Turn, Turn, Turn," based on the third chapter of the Bible's Ecclesiastes.

Woody Guthrie was famous for the slogan scripted on his guitar, "This machine kills fascists," but Seeger was always a pacifist -- on his banjo was written, "This machine surrounds hate and forces it to surrender."

In 1955, Seeger was subpoenaed to testify in front of the House Committee on Un-American Activities. He was famously uncooperative, citing the First Amendment (freedom of speech and association) instead of the Fifth (freedom from self-incrimination) when he refused to answer, because he believed there was nothing "incriminating" about knowing communists or being one.
    MR. TAVENNER: The Committee has information obtained in part from the Daily Worker indicating that, over a period of time, especially since December of 1945, you took part in numerous entertainment features. I have before me a photostatic copy of the June 20, 1947, issue of the Daily Worker. In a column entitled "What's On" appears this advertisement: "Tonight-Bronx, hear Peter Seeger and his guitar, at Allerton Section housewarming." May I ask you whether or not the Allerton Section was a section of the Communist Party?

    MR. SEEGER: Sir, I refuse to answer that question whether it was a quote from the New York Times or the Vegetarian Journal. ) I should be glad to tell you about all of the songs that I have sung, because I feel that the songs are the clearest explanation of what I do believe in, as a musician, and as an American. I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known. I love my country very dearly, and I greatly resent this implication that some of the places that I have sung and some of the people that I have known, and some of my opinions, whether they are religious or philosophical, or I might be a vegetarian, make me any less of an American. I will tell you about my songs, but I am not interested in telling you who wrote them, and I will tell you about my songs, and I am not interested in who listened to them.
He was booked to appear on The Smothers Brothers Comedy Hour in 1967, and performed his anti-Vietnam war song "Waist Deep In the Big Muddy,"
    Well, I'm not going to point any moral;
    I'll leave that for yourself
    Maybe you're still walking, you're still talking
    You'd like to keep your health.
    But every time I read the papers
    That old feeling comes on;
    We're -- waist deep in the Big Muddy
    And the big fool says to push on.
When the show aired Seeger's performance was nowhere to be seen. After a minor uproar, Seeger returned for another performance of the song, which was aired. The Smothers Brothers show was soon cancelled despite high ratings, and replaced with Hee Haw.

Hey Jack Kerouac

  • Jun. 16th, 2005 at 4:23 PM
babama
Hey Jack Kerouac,
I think of your mother
and the tears she cried,
she cried for none other
than her little boy lost
in our little world that hated
and that dared to drag him down.
Her little boy courageous
who chose his words
from mouths of
babes got lost in the wood.

Hip flask slinging madman,
steaming cafe flirts,
they all spoke through you.

Hey Jack, now for the tricky part,
when you were the brightest star
who were the shadows?
Of the San Francisco beat boys
you were the favorite.

Now they sit and rattle their bones
and think of their blood stoned days.

You chose your words from mouths of babes got lost in the wood.

The hip flask slinging madman, steaming cafe flirts,
nights in Chinatown howling at night.

Allen baby, why so jaded?
Have the boys all grown up and their beauty faded?

Billy, what a saint they've made you,
just like Mary down in Mexico on All Souls' Day.




You chose your words from
mouths of
babes got lost in the wood.

Cool junk booting madmen,
street minded girls
in Harlem howling at night.

What a tear stained shock
of the world,
you've gone away without
saying goodbye.






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Fame Level: Somewhat

  • Jun. 1st, 2005 at 5:20 PM
babama

Raymond Carver
re-invented the American short story and died in Port Angeles, Washington State in 1988. In 1977, Raymond had two months to live. He had married his first love and struggled with two children, writing stories poor. Then he became a little known, then a bit more, and he came to drink like few. In 1977, he stopped drinking. He never drank again.

Before his death, and after his decision, he wrote short stories said to have saved the American voice. His work is compared to Hemingway and Chekov.
    "I love the swift leap of a good story, the excitement that often commences in the first sentence, the sense of beauty and mystery found in the best of them; and the fact - so crucially important to me back at the beginning and now still a consideration - that the story can be written and read in one sitting. (Like poems!)" (from foreword in Where I'm Calling From, 1998)

Gettin Paid

In 1983 Carver received the prestigious Mildred and Harold Strauss Living Award which gave him $35,000 per year tax free and required that he give up any employment other than writing.

Sometimes Carver's work sold on a single, strong title:
    So Much Water So Close To Home
    Will You Please Be Quiet, Please?
    Soda Crackers

Your Dog Dies

it gets run over by a van.
you find it at the side of the road
and bury it.
you feel bad about it.
you feel bad personally,
but you feel bad for your daughter
because it was her pet,
and she loved it so.
she used to croon to it
and let it sleep in her bed. )

lean, loose hands

    "It's strange. You never start out life with the intention of becoming a bankrupt or an alcoholic or a cheat and a thief. Or a liar."
Finally, in the closing pages, he confronts the stupendous grief of his impending death. "Late Fragment" voices Carver’s hard-won self-acceptance:
    And did you get what
    you wanted from this life, even so?
    I did.
    And what did you want?
    To call myself beloved, to feel myself
    beloved on the earth.
Click here to listen to Re:sound.

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Naked Power

  • May. 5th, 2005 at 7:04 AM
babama
What so impressed Burroughs was the effectiveness of the Scientology techniques. He once wrote that one could accomplish more with 10 hours of Scientology techniques than with 10 years of psychotherapy. He felt he accomplished a great deal of self healing through applying their methods, and for a time he was obsessed with "audits" and "E-meters".

But as he penetrated more deeply into the church he discovered that the visionary Hubbard was also an eccentric fascist and that his "church" used appallingly effective mind control techniques to assure a steady supply of loyalty, secrecy, and cash. Burroughs found it sickening and ironic that a tool effective for setting people free was being used to enslave them in other ways. He broke with Scientology and went on to blab all that he knew.

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